When shooting portraits, you generally want to lift people from their surroundings and make them the center of attention. It’s not very bright, though, so even at full power and at the closest shooting distance you’ll need a slow shutter speed of about 1/15th of a second at f/8 (ISO 200). It's an interesting and affordable 'novelty' lens, but serious close-up fans would probably go for a lens with a longer focal length. To compensate, there’s a built-in LED ‘Macro Lite’, with two brightness levels and the option to use both sides or just the left or right. At the minimum focus distance, however, the front of the lens comes to just 3cm from the subject and can block ambient light. The hybrid image stabilization is inherited from Canon’s range-topping 100mm L-series lens and is able to correct x-y shift as well as vibration, making it more effective for close-up shooting. Like many recent designs, this lens features a stepping motor autofocus system with an electronically coupled focus ring. We've picked our favorite macro lenses for each Canon format here, but to see more options, read our guide to the best macro lenses. However, some cheaper macro lenses will deliver 0.3x or 0.5x magnification, so keep an eye out to make sure you're getting the right model for you. A "true macro" lens will feature full 1.0x magnification, which means that your subject will be reproduced at life size on the camera's sensor. However, not all macro lenses are created equal. Macro lenses enable photographers to capture super close-up photos of their subjects, making them firm favorites for lovers of nature. Image quality is mostly great and, although barrel distortion and vignetting are quite heavy at 15mm, they can be quite easily corrected in-camera or with software. That makes it much more versatile as a lens for everyday shooting, especially considering that the lens is robustly built and features excellent ring-type ultrasonic autofocus system, along with 4-stop stabilization. The EF-S 15-85mm lens has much greater wide-angle potential, as well impressive telephoto reach, with its effective zoom range of 24-136mm. The 1.6x crop factor of Canon’s APS-C cameras is quite limiting at the wide-angle end of the zoom range, so a regular kit lens that offers a widest setting of 18mm gives an ‘effective’ 28.8mm focal length in full-frame terms, which really isn’t that ‘wide’. To see more, read our full guide to the best Canon standard zoom lenses. Featuring better image quality, a faster or a constant aperture and often longer zoom ranges, these standard kit bag lenses are fantastically flexible. The kit lenses that typically come with Canon cameras are great pieces of equipment in their own rights, but upgrading to a better quality standard lens will transform your photography. Best Canon lenses: Standard kit lens upgrades The image quality is very good and, while it's not the cheapest ultra-wide angle zoom for Canon EF-S DSLRs, it is the best choice if you can afford it. Weather seals are also added, plus a fluorine coating on the front element to repel moisture and aid cleaning. Handling is improved as the focus ring no longer rotates during autofocus and enables full-time manual override. This one is a major upgrade over Tamron’s original 10-24mm ultra-wide zoom for APS-C format cameras, with improved optics, 4-stop Vibration Compensation stabilization, and a new High/Low toque-modulated Drive autofocus system. Tamron makes some great lenses that cost less than Canon equivalents. To find out more, check out our full guide to the best Canon wide-angle zooms. It's imperative to make sure that you get the right lens for your camera mount, as a wide angle APS-C lens on a full frame camera won't give you the effect you want, and vice versa. Standard zoom lenses are versatile pieces of glass, but if you're keen on shooting landscape or architectural photography, then you might want to consider investing in a wide angle zoom as well. On balance, it’s a better buy for most of us. This 'Contemporary' lens is not quite as extensively weather-sealed as the 'Sports' version, but it's still very well made, almost as sharp, and has the same range of up-market features and controls. You really do need lenses with this kind of reach for many wildlife subjects, long-range sports like cricket or baseball, and aviation photography. It stretches to a mighty 600mm on full-frame bodies, and delivers an incredible 960mm 35mm equivariant on Canon APS-C bodies, thanks to the 1.6x crop factor you get from the smaller sensor on those cameras. This ‘Contemporary’ version of the lens is much less expensive to buy, more compact, and almost a full kilogram lighter in weight than its counterpart. If money and muscle-power are no object, the Sigma 150-600mm f/5-6.3 DG OS HSM Sports lens is our favourite super-telephoto zoom for Canon cameras, but it’s a big and heavy lens, weighing in at nearly 3kg, which makes prolonged handheld shooting a struggle.
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